The surviving sources of thirteenth-century English polyphony show a greater tolerance of a wide range of stylistic and generic types than do the sources of Continental music of the period<br/
The distinction between high and low vocal style in the fourteenth and early Wfteenth centuries once...
The appearance of a consistent repertory of polyphonic settings of single vernacular texts, governed...
This study is concerned with the style (as opposed to the function) of English vocal polyphony durin...
The surviving sources of thirteenth-century English polyphony show a greater tolerance of a wide ran...
The volumes of the Répertoire International des Sources Musicales (hereafter RISM) devoted to manusc...
This document catalogues the thirteenth-century English sources of thirteenth-century English polyph...
Spanning a millennium of musical history, this monumental volume brings together nearly forty leadin...
The history of polyphonic music in late medieval England is difficult to reconstruct on account of t...
Modern understanding of the production and dissemination of thirteenth-century polyphony is constrai...
Modern scholarship has often viewed insular medieval music unfavourably in comparison to continental...
While it is known that Parisian organum and related genres were being cultivated in the last quarter...
Today’s performances of medieval polyphony have a lot in common with those of other ‘classical’ or...
Despite frequent attempts to explain the emergence of a coherent type of polyphonic song in the earl...
Any explanation of the emerging polyphonic chanson in the years before 1330 must negotiate varied re...
The following survey distinguishes three types of music – plainchant, vernacular song, and polyphony...
The distinction between high and low vocal style in the fourteenth and early Wfteenth centuries once...
The appearance of a consistent repertory of polyphonic settings of single vernacular texts, governed...
This study is concerned with the style (as opposed to the function) of English vocal polyphony durin...
The surviving sources of thirteenth-century English polyphony show a greater tolerance of a wide ran...
The volumes of the Répertoire International des Sources Musicales (hereafter RISM) devoted to manusc...
This document catalogues the thirteenth-century English sources of thirteenth-century English polyph...
Spanning a millennium of musical history, this monumental volume brings together nearly forty leadin...
The history of polyphonic music in late medieval England is difficult to reconstruct on account of t...
Modern understanding of the production and dissemination of thirteenth-century polyphony is constrai...
Modern scholarship has often viewed insular medieval music unfavourably in comparison to continental...
While it is known that Parisian organum and related genres were being cultivated in the last quarter...
Today’s performances of medieval polyphony have a lot in common with those of other ‘classical’ or...
Despite frequent attempts to explain the emergence of a coherent type of polyphonic song in the earl...
Any explanation of the emerging polyphonic chanson in the years before 1330 must negotiate varied re...
The following survey distinguishes three types of music – plainchant, vernacular song, and polyphony...
The distinction between high and low vocal style in the fourteenth and early Wfteenth centuries once...
The appearance of a consistent repertory of polyphonic settings of single vernacular texts, governed...
This study is concerned with the style (as opposed to the function) of English vocal polyphony durin...
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